Tag 禪外別傳

This poetic verse uses simple language to sketch a Zen-inspired landscape painting, yet within its lines, it reveals the profound wisdom of equality and non-duality. Using the metaphor of mountains and waters, the verse progressively unfolds the spiritual journey from "not being deluded by external circumstances" to "forgetting both self and objects," ultimately reaching a state of "unobstructed emptiness." It calls on people to return to their inner selves and realize the Zen state where "mountains and waters blend naturally into emptiness."

The poem "Heart" uses concise yet profound language to delve deeply into the exploration and realization of the "heart." Through the imagery of "listening to water," "listening to sounds," "listening to music," and "listening to the Dao," the poem guides readers into an inner realm that transcends words and senses. Centered around the concept of "soundlessness," it unveils the Buddhist ideas of "emptiness" and "self-nature."